THE RORSCHACH
TEST
Anybody remember the
Rorschach test? It was all the rage in the fifties but has since dwindled in
the public eye. Its origins are reviewed in a recent biography of its inventor,
Hermann Rorschach.
Rorschach was born in 1884 in Zurich, and grew up in the
nearby town of Schaffhausen where his father was an art teacher. His father
died as he finished high school (gymnasium) leaving him short of money but he managed
to afford medical school at the
University of Zurich. Connected to the Zurich
medical school was a large psychiatric hospital, the Burghölzli, whose
director, Eugen Bleuler, was already known for his commitment to mentally ill
patients, probably related to the fact that his own sister had catatonic
schizophrenia. Bleuler invented the name schizophrenia
to replace Emil Kräpelin’s dementia
praecox (premature dementia. Joining him in 1900 was a young assistant,
Carl Jung.
Hermann Rorschach (from Wikipedia) |
Rorschach did not
work at the Burghölzli but Bleuler was one of his professors, influencing him to
take up psychiatry. In Zurich Rorschach met numerous Russian women (unable to
study medicine in Russia), learned Russian himself, and fell in love with a
student named Olga, six years his senior. He completed his medical studies in
Berlin in 1909. An attempt to practice in Russia failed and he took a job as
psychiatrist in a mental hospital in Münsterlingen, near Lake Constance, where
he and Olga were married.
Psychiatric clinic, Münsterlingen (photo by Dominic Venezia, on Wikipedia) |
He engaged intimately
with his patients, introduced art therapy, and arranged entertainments, slide
shows, and dances for the patients. He and a nearby friend and schoolteacher,
Konrad Gehring began to experiment with inkblots. While Gehring showed them to
schoolchildren Rorschach showed them to his patients. The results encouraged
him to explore further.
Inkblots were not
new. Probably the first to use them was Justinus Kerner, a German romantic poet
and doctor (and the first to describe botulism and document the poison’s
interruption of motor nerve transmission) who printed them as an accompaniment
to his poems. Playing with inkblots soon became a child’s game. The
psychologist Alfred Binet (of the Stanford-Binet test) used them as a measure
of the level of imagination in a child. Some say that the whole idea of
conjuring up realities from abstract designs originated with Leonardo da Vinci,
who had written, “By looking attentively at old and smeared walls, or stones
and veined marble of various colors, you may fancy that you see in them several
compositions, landscapes, battles, figures in quick motion, strange
countenances,….”.[i]
Rorschach card II (Wikipedia) |
At the same time psychoanalytic
theories of Freud and Jung were coming into vogue, and Jung and Franz Riklin,
both working for Bleuler at the Burghölzli, had introduced word association
tests.
Rorschach’s work was
interrupted when he took a job in a private psychiatric clinic near Moscow.
Psychoanalysis was already popular in Russia; the first journal of
psychoanalysis in the world was published in Russia. The technique meshed with
the Russian proclivity for introspection and probing one’s “inner world”. Coincidentally,
Russian “futurism” was exploding. New ideas on poetry, color perception and its
relation to music, abstract forms (Kandinsky and Malevich are examples), and
other themes permeated artistic and psychology circles. Rorschach, educated in
art by his father, took it in.
His next stop was a
mental hospital in Herisau, in northeast Switzerland, where he returned to
making blots. He used brushes and ink to create many, probably hundreds, of
images, working to achieve something halfway between recognizable and
unrecognizable shapes, introducing color, and opting for horizontal symmetry
(rather than vertical). To allay patient anxiety the blots could be presented
as a game or a test. He tried many samples on patients and eventually narrowed
the selection to ten “blots” that became the standard. They helped him
distinguish between certain diagnoses and provided insights into psychological
types, such as introverted or extroverted, as advanced by Carl Jung. He
separated patients’ answers into three categories: Form, Movement, and Color.
Did an answer reflect a predominant focus on shape or form, was color
important, or was something seen that moved or implied movement? His
preliminary results were published in 1921 in a book entitled Psychodiagnostics.
Rorschach card IV (Wikipedia) |
But Rorschach’s
research came to a tragic end. He contracted appendicitis and, because of delay
in calling a doctor and the lack of a surgeon in the small town of Herisau, he
died of peritonitis in April 1922 at the age of 37.
The inkblots lived
on, however. They were taken up in various countries, but reached greatest
renown in America. Promoters of the blots ranged from objective researchers who
sorted answers into measurable categories to help define personality types to
those who used them as a psychoanalytic tool to probe the unconscious. Anthropologists
administered them to remote tribes, the more remote the better. They were given
(unofficially) to the top criminals awaiting trial in Nuremberg, by both the
Army psychiatrist and the “morale officer” (who had written a book on Rorschach
tests). None were “insane” and the
overall results were not outside the range found in the general population. The military experimented with using
them in recruits to weed out those unfit for combat (this was dropped).
Eventually controlled trials were undertaken to evaluate their accuracy, shedding
doubt on their value in diagnosis. Positive findings in one study were often
absent in another. Problems were that the test giver could influence the results
and that classifying the individualized responses to images was
subjective.
The Rorschach test,
using the original ten images, is still in use, though with diminished
frequency. Controversy on its usefulness remains. Results are admissible as
evidence in court and the test is reimbursed by insurance companies.
Rorschach card IX (Wikipedia) |
[i] Da Vinci. A Treatise on Painting. Trans by J F
Rigaud, 1835. J B
Nichols & Son, London. p 89.
Searles, Damion. The
Inkblots: Hermann Rorschach, His Iconic
Test, and the Power of Seeing.
2017, Crown Publishing Co.,
New York.
Wood, J M, et al. “The Rorschach Test in Clinical
Diagnosis: A
Critical Review, with a Backward Look at
Garfield (1947)”. J
Clin Psych 2000.
56(3): 395-430.
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